{"product_id":"dropsy-courting-consumption-by-thomas-rowlandson","title":"Dropsy Courting Consumption by Thomas Rowlandson","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDropsy Courting Consumption \u003c\/span\u003e\u003cspan\u003eby Thomas Rowlandson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ec.1971\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLimited edition lithograph\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis limited-edition satirical lithograph, titled \"Dropsy Courting Consumption,\" was issued by Editions Medicina Rara in 1971 as a fine art facsimile of an original 1810 hand-colored etching by the renowned British caricaturist Thomas Rowlandson. The scene portrays a broad social parody that plays on extreme physical opposites, featuring a short, immensely obese man on his knees declaring his romantic devotion to a tall, skeletal woman holding a folding fan. Rowlandson weaves a clever medical joke into the courtship; the bloated suitor represents dropsy (severe fluid retention), while the emaciated woman embodies consumption (tuberculosis, a severe wasting disease). Executed with Rowlandson's characteristic fluid linework, animated gestures, and vibrant hand-coloring, the composition masterfully exaggerates the figures' body types to heighten the theatrical comedy and sharpen the visual game between the two conflicting ailments\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOriginally produced during the \"Golden Age\" of British graphic satire, this work reflects the era's widespread public skepticism and lighthearted ridicule aimed at the medical profession. Thomas Rowlandson (1757 to 1827) was one of the period's most prolific and accomplished artists, expanding on the moralistic tradition of William Hogarth by infusing visual commentary with uninhibited wit and everyday observations. While the original 19th-century impressions were distributed as hand-colored etchings, this high-quality 1971 facsimile remains historically important for keeping early modern print culture accessible to modern collectors, beautifully documenting late-Georgian social attitudes and showcasing how satire served as a powerful tool for public critique.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDimensions: \u003c\/span\u003e\u003cspan\u003eH 14” x 17” W\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCondition: In very good condition\u003c\/span\u003e\u003c\/p\u003e","brand":"ANTONIO RAIMO GALLERY","offers":[{"title":"Default Title","offer_id":53603093709079,"sku":"PR0171-7","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0668\/3607\/0679\/files\/PR0171-7.1.jpg?v=1782918064","url":"https:\/\/antonioraimogallery.com\/products\/dropsy-courting-consumption-by-thomas-rowlandson","provider":"ANTONIO RAIMO GALLERY","version":"1.0","type":"link"}